Joanna Zylinska is a media theorist and artist, working on digital culture, artificial intelligence, photography, ethics and the planetary ecological crisis. Professor in New Media and Communications at Goldsmiths, she has also held visiting positions as Guest Professor at Shandong University in China, Winton Chair Visiting Scholar at the University of Minnesota, US, and Beaverbrook Visiting Scholar at McGill University in Canada.
Zylinska is the author of seven books – most recently, The End of Man: A Feminist Counterapocalypse (University of Minnesota Press, 2018; online version freely available), Nonhuman Photography (MIT Press, 2017) and Minimal Ethics for the Anthropocene (Open Humanities Press, 2014; e-version freely available). Her translation of Stanislaw Lem’s philosophical treatise, Summa Technologiae, came out from the University of Minnesota’s Electronic Mediations series in 2013. Her own work has been translated into Chinese, French, German, Norwegian, Polish, Russian and Turkish.
Zylinska combines her philosophical writings with photographic art practice and curatorial work. In 2013 she was Artistic Director of Transitio_MX05 ‘Biomediations’: Festival of New Media Art and Video in Mexico City. She has presented her work at many art and cultural institutions, e.g. Ars Electronica in Linz, CCC Barcelona, Centre Culturel International de Cerisy, Fotomuseum Winterthur, MMOMA in Moscow, Serpentine Galleries in London, SESC Sao Paolo and Transmediale in Berlin. She has recently co-edited Photomediations: An Open Book and Photomediations: A Reader as part of Europeana Space, a grant funded by the European Union’s ICT Policy Support Programme.
Her current research involves photographing media entanglements and starting a new project on hydromedia (with water literacy being considered a form of media literacy). She is also exploring the conceptual and creative edges of artificial intelligence in a new polemical book, AI Art: Machine Visions and Warped Dreams (forthcoming 2019).